When I was a teen, I was obsessed with girls who were all about sex.
And I was totally into what it meant to be a woman in this world.
I was fascinated by the way it was possible to love and be loved and be treated like a human being.
It was my life’s passion.
I would watch all the shows on TV that were about relationships, love, sex, women.
And they all had one thing in common: they were about love.
When I first started reading about the sexualisation of girls in the 1980s, I found the word “sexual” so offensive.
And it wasn’t even in the dictionary.
I didn’t know what it was until I read the words “sexualisation” and “sexualise”.
When I read those words, I knew I had to do something about it.
And the word sexualised, it was about sex and being sexually aroused.
The word “sex” was like the word sex.
It meant something different to me.
It felt like I was missing something.
And so I started researching sex and the ways it had been used in the past.
I found out that there was a whole network of books about sex that existed.
And there were books that were written by women and were about women’s sexuality and how they used sex to express their sexuality.
And one of the books was called Sex in the Victorian Era.
And as I read that book, I thought: this is so much more than I thought it was.
So I thought, well, what am I missing?
And I thought this is the kind of book that can be used to explore the ways in which sex is used in this society, the ways that people in the UK are using it to explore their sexuality, their sexual feelings, their relationship, and so on.
I started writing my first book about sex in the US in 2009.
The book was called The Sexual Lives of Girls: A Collection of Stories.
And, of course, I read all the books that I was researching.
I read a lot of books, I had a lot to read, and I started to wonder what was missing.
And that was when I realised that this was a book that I would need to write about the way that women use sex to explore themselves, to be themselves.
So this was the book that we would need.
It would be about the ways women use the word sexuality to express themselves.
It is also about women using sex to connect to the world around them.
I began to think about how I would make this book about women and the way they use sex.
But this was not something that I could do in one sitting.
I had so much to do, I couldn’t go to bed at night without writing.
I needed to get a little more organised.
I knew that I had been doing this research for years.
I’d spent a lot more time on this book than on my other books, so I knew what to expect.
But what I didn´t know was how to get my work published.
So, for me, it had to be done by someone who had the right skills and the right experience.
And in a way, that was where I found myself.
I did my PhD in the humanities at the University of Liverpool and was a researcher in sexuality, gender and sexuality.
In 2011, I started looking at women’s use of sexuality in the workplace, because I thought I could use that to do some research into the ways men use their sexuality in work.
But I didn.
And then in 2012, I met Kate, and she and I became engaged.
And we had a very good, deep conversation.
We started working together on my next book, Sex and the City.
And what I found was that women are doing sex and sexuality a lot differently to men.
I thought that we might need to talk about this, so we talked about it for two months.
Then, one day, we just started to work together on the book.
And within two weeks of meeting, Kate was pregnant with our first book, How to Get It On, a book about what it means to be sexually fulfilled.
And she started to be interested in my research.
She started to ask questions.
And things just sort of came together.
So we were able to start the book together.
But Kate, in turn, got pregnant with my next, Sex in a New Age: What It’s Like to be Sexual in the Age of Intercourse.
And from that moment on, I became involved in the publishing business.
And after that, it became a very different relationship.
Kate and I have had this amazing relationship.
She’s a brilliant writer, I love her writing, and we have an incredible friendship.
But when I started working with her, we had this different relationship, a different kind of relationship.
We had different expectations for each other.
We wanted to do a book together, and to do that